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有許多人問我，愛台灣的人哪裡去了？難道都是沈默的一群？我常說：德不孤，必有鄰。有太多愛台灣，不分族群的人，默默在奮鬥，他們在每個角落裡，堅守崗位，從本土出發，在國際上揚名立萬！只是墮落的台灣媒體通常不頌揚這些偉大的台灣人罷了。
最近，我為了走尋這些愛台灣的人，到處尋覓，偶然的機會，去文建會愰愰，老友吳錦發，現任文建會副主委說：這種人很多啊！於是他拿了一片由文建會委製的「新台風」給我，我當下借用電腦播了一小段，哇噻，原來愛台灣的人，表現得如此傑出！於是經過文建會的同意，我拿來我這裡播，同胞們，免驚啦，台灣充滿生命力，台灣人是世界一流的民族！
「新台風」裡有許多不分族群愛台灣的創作者，我逐一介紹，咱們好好看，相信台灣，相信我們的未來是充滿光明與希望！
向國際展現台灣文化美學
林麗珍 舞蹈家
生命中總是要有些精彩采，精采的東西就是做不可能做的事情。
林麗珍很愛跳舞，很想跳出不一樣的舞蹈，感覺到心中自有她想要的舞蹈。所以她成立無垢舞蹈劇場，培育舞蹈種子。
出生於基隆的討海人家，在她的潛意識裡面，傳統是養分，土地是根源。傳統民俗文化的中元普渡、作醮、陣頭、放水燈等，正是討海人一生中磨滅不掉的記憶；對她而言，最好的創作靈感就是與自己切身相關、觸手可及的日常生活素材。因此，一齣演繹自傳統宗教與歷史的〈醮〉，表達一種禮敬天地的虔誠之心、悲憫為懷的自在，受到國際人士矚目，陸續獲邀在各大國際藝術節演出，更是法國亞維儂藝術節五十年來，首次邀請的台灣舞蹈團體；另一齣舞作〈花神祭〉，透過花開花落的沈思，歌詠自然循環不朽的生命價值，也反映出台灣的民俗和文化。
她說，藝術根植於土地；跳舞的人要把身體看成種子，盡力、盡可能地把身體打開，時間到了，人自然就慢慢豐富起來。
感謝網友譯文:Esong Wu(按繼續閱讀)
The Arts of Taiwanese Cultures unfolding
Ms. Li-Jean Lin – A Dancer
We all long for some astonishing moments in our lives – the kind of
astonishments that come from pursuing something that's beyond our means.
Li-Jean loves to dance. She dreams to dance of something unique – she
senses the forms of dance that she desires. That’s why she started Legend
Lin Dance Theatre to cultivate seeds of dancers.
Born in a fisherman’s family in Keelong, in Li-Jean’s sub-conscience,
traditions became the fertilizer of her dance and her motherland became the
source of her creation. Midsummer Festival, __, __, Floating candle lights,
etc. are all carved into a fisherman’s memory and could not be scraped
away; To her, the best inspiration for creation is from her personal
experience that’s embedded in her daily encounters and within her reach.
Hence, a dance on “Festival” (醮), which derives directly from Taiwanese
religions and traditions, reveals people’s respect of the universe with
godly manners and merciful beings grasped attention on international forum
and was inquired to be performed in many major international arts festivals.
It was the first time that a Taiwanese Dancing company was ever invited to
perform in Festival d'Avignon in France; Ms. Lin’s another work “Festival
of Flower Goddess”(花神祭), which praises the immortal virtue of nature’s
re-generating life cycle through meditation on flowers’ blooming and
falling, also reflects Taiwanese traditions and cultures.
“Arts are rooted deeply in the motherland; Dancers should view their bodies
as seeds. They unfold their bodies with all might and all possibilities.
People will be enriched as the time comes right.” she said.
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